Empty Nest
“Empty Nest”
X-Men #17
Written by Jonathan Hickman
Penciled by Brett Booth
Inked by Adelso Corono
Color art by Sunny Gho
• Let’s start with the art, since that’s going to be the focus of most anyone’s response to this issue. The guest artist on this issue is Brett Booth, who is well-documented as being a major creep who has threatened online critics. In an ideal world, he simply would not be drawing X-Men comics in 2021– there’s no shortage of great artists who are not hugely problematic people who could be working with Jonathan Hickman on the flagship book. I really hope this will be his only contribution to this title.
Booth’s art on this issue isn’t terrible, though it’s a major stylistic shift away from the aesthetics of this era. His art is very ‘90s, merging elements of Jim Lee, Image-era Marc Silvestri, Whilce Portacio, and Michael Turner into a synthesis that isn’t quite a personal style so much as it’s a very good aggregate approximation of what cool comics art would’ve been like about 20-30 years ago. This is a style very associated with X-Men, but it’s been a long time since X-Men comics have actually looked like this. It’s an aesthetic that was once aligned with a stylistic revolution but now only comes off as retro, especially since Booth is coming on after recent issues featuring the more contemporary (and technically far more accomplished) styles of Phil Noto, Pepe Larraz, and Mahmud Asrar.
Brett Booth’s style, however artistically inbred, is well suited to this particular issue, which calls for a lot of action scenes full of aliens to offset the more dry elements of Hickman’s plot. Booth’s presence here seems to be a deliberate callback to Uncanny X-Men #275-277, in which Jim Lee drew Chris Claremont’s final foray into Shi’ar space before getting pushed off the book a few months later. Booth’s draftsmanship is definitely not on par with that of Lee, but he can provide a similar vibe and spark some nostalgia for that era. He tosses in a little extra nostalgia value in drawing Cyclops and Jean Grey in their Walter Simonson-designed X-Factor costumes from the late ‘80s, making him one of the few to run with Hickman’s invitation for artists to draw the characters in whatever costumes they like from the past.
I’m damning Booth with faint praise here – it’s not as bad as it could be, he’s not as horribly miscast as he could have been, he’s hitting nostalgia buttons for readers of a certain age – but it’s only because I’m reviewing the actual pages here. I don’t think a person who has behaved as he has should be getting this level of professional work, and I think Marvel editorial should seriously rethink their priorities and policies with creators.
• This is one of those Hickman issues where he’s clearly setting plot in motion and doing his best to make it fun and enjoyable, even if it’s pretty obviously the story equivalent of eating vegetables so you can get your dessert later on. In plot terms, the main thing is that Storm is now in the position of collecting a major favor from the empress of the Shi’ar, which is clearly to do with the promised major Storm developments to come later this year. (This month’s issue of Marauders, which in retrospect takes place after this story, suggests that Storm is ready to move on to…something.)
On a thematic level I believe we’re meant to take the central plot, in which the X-Men squash a rebellion against the Shi’ar Empire led by a cleric from a vassal world called Stygia, as a harbinger of things to come as Krakoa appears to be moving towards expansion in the Reign of X phase. The tension in this issue is that the Stygians have a valid complaint against the empire in the wake of an intergalactic economic crash, and the X-Men’s actions in rescuing Empress Xandra and preserving the Shi’ar status quo are not justified as anything besides maintaining a crucial alliance with this space empire. I presume Hickman intends for us to feel ambivalent about this. Given everything else he’s ever written, I can’t imagine he’s setting up Krakoan expansionism to be a fully positive thing.
• The last two pages elaborate on the X-Men election concept that was announced in the previous issue, and it looks like Hickman is indeed carrying over the “audience participates in the fictional election” tradition from the Legion of Super Heroes by letting the readers get to vote in one of ten characters – Banshee, Forge, Polaris, Boom Boom, Tempo, Cannonball, Sunspot, Strong Guy, Marrow, or Armor – in an online poll. It’s a cool idea, and I would say that Hickman’s use of Cannonball and Sunspot in this issue and obvious delight in writing both of them puts a thumb on the scale in favor of those two. Aside from them, I think Polaris and Armor have pretty good chances here.
The in-story election makes it very difficult to figure out who might get voted in as X-Men. Who is popular on Krakoa? Who would people want to be their X-Men? I figure a substantial chunk of the roster will be classic members that the population will trust to protect them – Wolverine, for sure, and probably people like Colossus and Rogue. (This logic would apply to Storm and Nightcrawler if they were not members of the Quiet Council.) But aside from that, who might be trusted and beloved by the Krakoan nation, and also be someone Hickman would want to write regularly? I figure Monet would be a given, probably Magik too. I can imagine the people voting in The Gorgon based on his heroic actions in X of Swords, but not being aware that his flawed resurrection has brought him back as essentially a new person. Maybe the Arraki vote in Bei the Blood Moon? Maybe the ex-villain population of Krakoa would want to get someone like Avalanche or Blob in there?